"When my mum told me that Tom and Jerry weren't real, it was a revelation," begins Ron Campbell, when asked how he got into the animation business. "I realized that there were people doing that, and that I could do it."
Current project, TV Beatles with Scarfs |
And with that one cartoon, a fifty-plus year career was inspired. After receiving an art degree in his native Australia, Campbell began his craft by working in "cutting-edge animation advertising". Soon after, he was recruited to work on the Beetle Bailey and Krazy Kat cartoons, both from King Features. Trading Beetle Bailey for The Beatles, the animator went on to direct many episodes of the Fab Four cartoon, also for King Features.
Campbell at work |
It was that work on The Beatles series that caught the attention of William Hanna. From there, "I packed up the family and moved to L.A.," Campbell recalls of his move to the United States.
Storyboard from Scooby-Doo, Where Are You? |
Storyboard from The Jetsons |
Storyboard from The Flintstones |
Easier to name are the characters he isn't as fond of. "I don't much like drawing superheroes," he admitted with a chuckle, "which is why I didn't last that long on Ninja Turtles."
However, the project Campbell is proudest of is The Big Blue Marble, which he produced and directed, and for which he won both an Emmy and Peabody award. A mixture of live-action and animation, The Big Blue Marble ran on PBS from 1974 to 1983 and focused on children around the world. Campbell would create cartoons based upon the country being visited in a given episode.
photo credit: Center Framing and Art |
Since retiring, Ron Campbell has continued to paint characters based on his cartoon work. Emphasizing on The Beatles, he tours his Cartoon Pop Art in galleries across the United States, exhibiting and selling original art pieces. Each painting purchased comes with a Certificate of Authenticity, personalized with an original painting.
Visit Rock Art Show for information on tour dates or to view more pieces of Ron Campbell's animation art.